![]() ![]() With a particular interest in the patterns and shapes in the landscape, the artist demonstrates the changes of the seasons through the use of rich colours and gestural brushstrokes. While Laundy made many sketches on site, her paintings were all completed in the studio. In contrast to McDonald’s very immediate musings are Laundy’ s experimental and intuitive abstract works. While these paintings are a personal response to the landscape, they are extremely appealing and accessible, and invite the viewer to explore their own connection to place. Reflecting the light and colours at different times of the year, McDonald’s paintings are rich in colour and very textural – an effect created using a palette knife which has become her signature style. The result is an impressive series of paintings which are a very immediate response to the landscape. With this project, McDonald wanted to push herself to paint all her works on site and not finish anything in the studio. This series of paintings embodies a sense of calm, drawing you in and allowing you to feel completely immersed in the landscape. Mollison is particularly interested in light and other elements such as fog and storms, and their impact on the environment. This is evident through her intimate and atmospheric paintings, which highlight the natural beauty of the landscape. Romany Mollison’s series of atmospheric paintings embodies a sense of calm.Īs the owner of the property at Lenswood, Mollison already had a strong connection to the place before the project began. Then towards the back of gallery, in the alcove area, are the bold and expressive works by Unwin, which hold their own in the more dimly lit space. Walking into the exhibition, you are greeted by McDonald and Mollison’s striking paintings, before moving into the abstract works by Stokie and Laundy. Ozlem Yeni, a former academic from Turkey, opened the gallery last year and has created an impressive modern, light-filled space. While they have produced a body of work in response to the same location, their individual styles are evident, with some creating process-based studio works and others plein-air responsive works.Īn Ode to the Orchard brings the Adelaide Hills to the heart of the city, with the exhibition housed at The Main Gallery in Halifax Street. ![]() The project has also enabled the artists to expand their skills and push the limits of their practice, while challenging each other to produce work through an unfamiliar process. ![]() Their regular meetings provided an opportunity to observe the change of seasons and how this transforms the landscape. Since January this year, Greta Laundy, Romany Mollison, Sarah McDonald, Amber Stokie and Sonya Unwin have been meeting at the Lenswood site owned by Mollison. Taking their lead from the 19 th-century Heidelberg School artists who painted en plein air, the five female painters exhibiting in Ode present a fresh and contemporary view of Australian life through their depiction of the picturesque orchards, vineyards, rolling hills and valleys of Lenswood in the Adelaide Hills. An Ode to the OrchardĪn Ode to the Orchard grew out of discussions among landscape painters who are part of the Friday Fridas – a group of like-minded Adelaide artists who come together to share ideas and support each other. A town built on resilience learns to diversify Search All categoriesĭonate to InReview today. ![]()
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